Never a band to shy away from a prog-rock statement, Muse’s Drones is a concept album about remote killing machines, dehumanised drones in thrall to authority – psychotic soldiers, and the rest of us – and the possibility of sedition through love. For their seventh album, Teignmouth trio Muse have grasped this paranoid sub-genre with both hands, riffing on a tendency already glimpsed on albums such as 2009’s The Resistance and 2003’s Absolution. S ince Black Sabbath’s War Pigs and Iron Man, hard rock has enjoyed warily eyeing the interface between robotics and warfare, themes generally untouched by the more house-trained species of pop music.
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